Museologist and Painter
OSMAN HAMDİ BEY
Hamdi Bey (1842-1910) was a distinguished Turkish intellectual. As well as being
a famous painter and a successful archeologist, he was recognized for his
services as a museologist. All his life he was very creative and productive. He
was the founder of the School of Fine Arts (Sanayi-i Nefise Mektebi) as
well as being the first man in Turkey to prepare the law of Conservation of
Osman Hamdi Bey was recently commemorated on the 77th year of
his death and he will always be remembered with esteem.
In brief he was an intellectual who looked forward to the
future. His cultural and artistic activities and endeavors were to lead the
society towards modernization.
The special interest with which he directed himself all
through his life, were based on the education that he received. Osman Hamdi Bey
was one of the privileged persons who had the chance of an education in Europe
during a period when very few people could speak a foreign language, let alone
travel in Europe. He lived in Paris for twelve years and had perfect command of
the French language. Initially he was sent to France to study law but Hs great
talent and tendency towards art forced him to dedicate himself to painting. He
had the chance to study with masters like Jean-Léon and Boulanger.
He returned to his country as an artist instead of as a member of the Bar.
Osman Hamdi Bev's father, İbrahim Edhem Bey
was one of the four Turkish students who were educated in Europe. He had studied
Geology and returned to Turkey as a mining engineer. He had several appointments
as an ambassador and minister and for sometime as the Prime Minister. And Osman
Hamdi Bey was introduced to the western culture in his father's home.
his return from Paris in 1869, he went to Baghdad to work with Midhat Paşa
who was the newly appointed Governor of the city. This was Osman Hamdi Bey's
first official appointment and lasted till 1871. When he returned to Istanbul,
he was appointed to the Ministry of Foreign Affairs as Assistant Director of
Protocol. In 1873 he participated at the Vienna exhibition as the representative
of the Ottoman State. In 1877 he was assigned the Directorship of the Istanbul
6th Municipal Office in Beyoğlu district which lasted for one and a half year.
That was his last official appointment after which he decided to devote his
whole time to painting.
4 September 1881, Osman Hamdi Bey was appointed as the Director of the
Archeological Museum. This was the turning point of his life and he began to
work with great energy and accumulation which was very different from his
previous efforts. At this time, though the museum had been established for the
last thirty years it was very poor as far as material was concerned. In general
the museum looked like an antique warehouse. Osman Hamdi Bey restored the museum
which was a magnificent building, employed qualified staff and enriched its
After a short while, being the museum Director he started
leading some archeological excavations. The excavations in Sidon in 1887 brought
to light the group of sarcophagi, including the Alexander
Sarkophagus, the Sarkophagus of the mourning Women and the Lycian
Sarkophagus, which are the chief exhibits of the Archaeology Museum of Istanbul.
Furthermore there are as famous archaeological places as Nemrut
Mountain and Lagina, which increased his reputation. As a result of his
practical experiences archeology became Osman Hamdi Bey's second profession. In
addition to the directorship of the museum, he accepted the offer of becoming
the director of the School of Fine Arts. In this new post, he first
reconstructed the building, set up his academic team and on 2 March 1883, the
School of Fine Arts opened its doors for the first academic year.
Archeology and museology were new sciences and movements of
western origin. Introduction of new trends and activities and their application
in the 19th century Turkey were very important steps towards modernization.
1884 Osman Hamdi Bey legalized the preservation of historical, cultural and
artistic legacy by the Law of Conservation of Antiquities. This law which
brought general regulations for the security of archeological excavations and
finds, could also be applied for the future necessities. For the first time with
the implementation of this law, the transportation of antiques from the country
was forbidden and they were recognized as State Property.
There is no doubt that the subjects taught at the School of
Fine Arts are more concrete, tend to direct people much more dynamically towards
novelty and modernization as compared to museology. In a period when modem
schools were scarce, establishment of a school where architecture, painting,
sculpture and engraving were taught is an indication Osman Hamdi Bey's high
intellectual level and his foresight.
We must not consider him solely as the founder of the School
of Fine Arts but as the pioneer who led the society towards cultural progress.
- Osman Hamdi Bey - Müzeci ve Ressam
Prof. Mustafa Cezar
Türk Kültürüne Hizmet Vakfi